Drew Jaffe

Camera angles in Minority Report:

1. In the beginning of the film, the shots are more dark representing the conflict.
2. After Johns murder is projected, the lighting starts to move from shade to shade very dully.
3.  When arguing with other characters, the angle is placed to cut out the surroundings in order to keep the focus on the action
4.  When John is carrying the pre-cog, the camera is focused through the eyes of the pre-cog.
5. When John is sneaking around, the light seems to be lighter to show the danger and to represent how John is in plain sight.